Ar\u016bnas Spraunius is an ironic observer and interpreter who reflects on and often ridicules the contemporary world in his art. His prose and poetry style is characterised by constructiveness, irony and elements of the absurd. He often weaves the facts of distant history with events of the present day to create intrigue; he sharpens the characters of his protagonists by giving them contrasting traits and unexpected actions. Spraunius is one of the few who, after independence, tried to write differently, in a new way, as adequately as possible to the situation of our times, which has been, and will probably remain, essentially characterised by the concept of postmodernism” (Antanas A. Jonynas).
\nIn the novel Sulamita (1996), he depicted the dramatic love story of a young girl in a traditional style. The collections of poems “Exaltations” (1998), “The Kingdom of Self-Destruction” (1999), “Letos plia\u017eai saul\u0117ti” (2004), “Siaubingai heroji\u0161kai “(2012) are characterised by fragmented phrases, prose-like language, attention to detail, and the variation of paradoxes of everyday situations, quoting and parodying elements of mass culture. He has also published a collection of novellas “Silence!” (2003), a collection of essays “Professionals’ Godos”; “We are Children of Alcoholics” (2007), a novel\u00a0“Isto(e)rija apie \u0161ofer\u012f Sofij\u0105” (2011), a book of journalism “Energeiniai karai” (Energy Wars) (2013), and a collection 99: Selected Texts (2015).<\/p>\n