{"id":10106,"date":"2024-04-02T11:17:22","date_gmt":"2024-04-02T09:17:22","guid":{"rendered":"https:\/\/www.letmekoo.lt\/?p=10106"},"modified":"2024-04-02T11:18:28","modified_gmt":"2024-04-02T09:18:28","slug":"geistes-marijos-kincinaitytes-ir-lidijos-kononenko-paroda-posaules","status":"publish","type":"post","link":"https:\/\/www.letmekoo.lt\/en\/uncategorized\/geistes-marijos-kincinaitytes-ir-lidijos-kononenko-paroda-posaules\/","title":{"rendered":"Exhibition Subsuns by Geist\u0117 Marija Kin\u010dinaityt\u0117 and Lidija Kononenko"},"content":{"rendered":"

On 5 April, 2024, at 6 pm an exhibition by Geist\u0117 Marija Kin\u010dinaityt\u0117 and Lidija Kononenko titled Subsuns<\/em> opens at Atletika gallery.
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\u201c[…] more light is deflected in all directions creating hazes of copper and brown over the horizon as the fragments build up into a smog eventually what is left of the rays is not much at all allowing the eyes to look directly at the sun […].\u201d (Excerpt from phantom currents<\/em> by Lidija Kononenko)<\/p>\n

The title Subsuns<\/em> acts as an opening to various pathways intersecting in the time-based installation and video works presented in this exhibition. It refers to an optical phenomenon \u2013 a mirroring of the sun below the horizon, which is conditioned by the atmosphere. This fake sun can be seen from an airplane as a reflection in the clouds. The optical phenomenon of subsuns also carries another meaning related to \u201cfire\u201d and \u201csignal\u201d economies. In his book The Parasite<\/em> (1982), philosopher Michel Serres refers to it as a representation of a desire to imitate the sun on Earth \u2013 the ultimate expression of capital. He elaborates on the phenomenon of subsuns as reservoirs of oil, gas, coal, dammed rivers, databases, and satellites put into orbit to facilitate uninterrupted flows of information and capital. However, when the title is translated into Lithuanian, the term subsuns (posaul\u0117s<\/em>) sounds like a multiplicity of worlds (pasauliai<\/em>), losing its initial meaning of fake suns. In the moment of translation, the exhibition title acquires another purpose, an invitation to imagine alternative ways of being-with the world.<\/p>\n

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Lidija Kononenko (b. Lithuania) is a London-based visual artist, working with sculpture, video, images, web, text and sound to explore methodologies of scientific research around the human condition. Her works interlace the personal with the analytical and interrogate different modes of understanding the body and embodiment, from the visual expression of physical states such as exertion or falling asleep, to emotions such as falling in love. Looking at the self through the scientific lens as a site to be mapped and maintained she considers the expansion of the biomedical into private spheres. Kononenko graduated from Royal Academy of Arts in London, and has exhibited at Somers gallery, London (solo), Metenkov House Museum of Photography, Ekaterinburg (solo); The Nunnery Gallery, London; Ya Gallery, Kyiv; The Photographers\u2019 Gallery, London; and the Finnish Museum of Photography, Helsinki. Screenings include Plaza Plaza Cinema (online); ECNP Congress (online); Tenderflix, London; Cit\u00e9 Internationale des Arts, Paris; Cin\u00e9 13 Th\u00e9\u00e2tre, Paris; and The Courtyard, London. She is a recipient of the Art of Neuroscience award, the Netherlands; Institute for Neuroscience, Amsterdam; the Peter Rippon Travel award and E Vincent Harris award, both Royal Academy of Arts, London.<\/p>\n

www.lidijakononenko.com<\/a><\/p>\n

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Geist\u0117 Marija Kin\u010dinaityt\u0117 (b. Lithuania) is an artist and researcher, who approaches her photographic and video practice as an exploration of belonging, alienation, and the unknown. Overall, her practice is defined by encounters with the eerie, which is understood to be both the cessation of a comfort zone \u2013 whether self, human, habit, habitat, milieu \u2013 and alertness to a yet-to-be-identified presence. Since 2014, her work was exhibited in solo and group exhibitions in the UK (The Photographers\u2019 Gallery; 253 Hoxton), Lithuania (Kaunas Photography Gallery; MO Museum; Prospekto Gallery; Sod\u0173 4 project space; Vartai Gallery; Vilnius Picture Gallery; Pranas Dom\u0161aitis Gallery), Norway (Fotogalleriet), Taiwan (National Center of Photography and Images; National Taiwan Museum of Fine Arts), South Korea (The Museum of Photography), China (Inside-Out Art Museum). In 2018, she was also commissioned to create a four-channel video installation for the Boiler Room x Tinder events in Bristol, Glasgow, and London. She holds a PhD in Film and Screen Studies from the University of Cambridge.<\/p>\n

www.geistekincinaityte.com<\/a><\/p>\n

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Exhibition design \u2013 Dovydas \u010cerniauskas
\nTranslation \u2013 Paulius Bal\u010dytis
\nTechnical manager \u2013 Matas \u0160at\u016bnas<\/p>\n

Exhibition opening: 5 April 2024, 6 pm.
\nExhibition dates and times: 6 April\u201311 May 2024, Wednesdays to Fridays 4\u20137pm, Saturdays 1\u20135pm.
\nAddress: Atletika gallery, Vitebsko Str. 21, Vilnius. Free entry.<\/p>\n

Organised by the Lithuanian Interdisciplinary Artists\u2019 Association (LIAA). Activities of LIAA are supported by the Lithuanian Council for Culture and Vilnius City Municipality.<\/p>\n

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