On October 31, 2024, at 6.30 pm, a solo exhibition by Sam Keogh titled The Unicorn Surrenders to the Maiden Cartoon will be opened at the Atletika gallery, curated by David Dale Gallery. During the opening the performance will be presented by the artist. This exhibition is a collaboration between LIAA and David Dale Gallery.<\/p>\n
The Unicorn Surrenders To A Maiden Cartoon is an installation of collage, sculpture and performance by Sam Keogh which critically engages depictions of pre-modern Europe in both tapestries and mass media genre fantasy. The work draws on The Unicorn Surrenders To A Maiden, a badly damaged 16th Century Flemish tapestry that survives today in two fragments and hangs in the Met Cloisters as part of a famous series of tapestries known as The Hunt of the Unicorn.\u00a0<\/span><\/p>\n At the time of the French Revolution, the original tapestries were owned by members of the French Nobility \u2013 the House of Rochefoucauld. Such artifacts were often destroyed or expropriated in acts of iconoclasm against the Ancient R\u00e9gime, which is likely why only fragments of the tapestry remain. The surviving remnants are pockmarked by areas of damage and repair, forming a material index of revolutionary events, each one a fraying, tearing, and patching up of Europe\u2019s historical narrative.<\/span><\/p>\n In The Unicorn Surrenders to a Maiden Cartoon, the fantastic scenes depicted in the tapestry is re-made as a \u2018cartoon\u2019, or 1:1 scale working drawing made for the production of a tapestry. Here, the rarefied hortus conclusus of the Unicorn is invaded by monstrous entities. Their forms are Frankensteined together with limbs, heads, faces and personal effects from an array of sources. Some hands hold scissors or craft knives, suggesting that they have collaged themselves together before cutting and pasting themselves into the world of the tapestries, exploiting its sutured wounds as entry points. Limbs are multiplied and entangled, and faces are made up from folded, torn, and recomposed layers of background and foreground. It\u2019s difficult to tell where distinct bodies begin and end or whether they are destroying or building the world they inhabit.<\/p>\n At Atletika, Keogh will give a live performance which will bring the work’s characters into dialogue. A maiden sits in a walled garden awaiting the arrival of a unicorn when she is confronted by Meg Mucklebones, the ‘swamp hag’ from Ridley Scott’s ‘Legend’ (1985). During the performance, Keogh unfolds the work’s physical elements, metamorphosing its characters as they speak about knots; the myth of Europa; and the history of the EU flag. After the opening night, the work will be left in its unfolded state with an audio recording of the performance playing in the space.<\/p>\n Sam Keogh (1985, Wicklow, Ireland. Lives and works between Glasgow and Co. Wicklow, Ireland) works across sculpture, collage, video, installation and performance. His installations include intricately made sculpture and collage which often act as props, backdrops and visual scripts for performances. Taking the form of fractured monologues, the performances present characters who are pulled apart by their efforts to convey a theory, anecdote or historical event. Here, the work\u2019s physical, gestural and linguistic materials combine to create grubby cognitive maps of interconnecting themes as varied as masculinity, colonialism, science fiction and the politics of popular culture. Sam Keogh received an MFA from Goldsmiths, London in 2014 and completed the Rijksakadmie residency in Amsterdam in 2017. His work has been exhibited at Primary, Nottingham: Goldsmiths CCA, London; Museo Madre, Naples; Centre Pompidou, Paris; 15th Lyon Biennial; The Douglas Hyde Gallery, Dublin and Eva International, Limerick.<\/span><\/p>\n This exhibition has been organised by the Lithuanian Interdisciplinary Artists’ Association together with <\/span>David Dale Gallery<\/span>. LIAA activities are supported by the Lithuanian Council for Culture and Vilnius City Municipality. The exhibition is supported by Creative Scotland, The Arts Council of Ireland, and Culture Ireland.<\/span><\/p>\n David Dale Gallery is a non-profit contemporary art space based in Glasgow, Scotland. The exhibition is part of David Dale Gallery\u2019s annual international exchange programme, and they hosted an exhibition curated by the Lithuanian Interdisciplinary Artists\u2019 Association in 2023.<\/span><\/p>\n <\/p>\n Opening and performance: 2024\/10\/31, 18.30\u00a0<\/span><\/p>\n Exhibition dates & times: 2024\/11\/01 \u2013 12\/14*<\/span><\/p>\n Thursdays and Fridays 16.00\u201319.00, Saturdays 13.00\u201317.00 (<\/span>*closed during public holidays 1st and 2nd November).\u00a0<\/span><\/p>\n Address: Vitebsko 21, Vilnius.<\/span><\/p>\n Admission to the exhibition and all events is free of charge, without registration.<\/span><\/p>\n Accessibility information: the space is accessed via stairs from Drujos Street side or via stairs from the cultural centre SODAS 2123. Chairs available to sit down during the performance.\u00a0<\/span><\/p>\n <\/p>\n www.atletikaprojects.lt<\/span><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":20,"featured_media":10379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1561,26],"tags":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\n\n\t\n\t\n\t\n