Nariai
2013-12-12
2013-12-06
Skaitmeninins realybės atvaizdavimas paprastai netampa meninių praktikų atskaitos tašku, nors skaičiai yra lengvai suvokiamas ir palyginamas matas. Gruodžio 9-14 dienomis Vilniaus dailės akademijos galerijoje “Akademija” rengiamose kūrybinėse dirbtuvėse „Creative Un(A)Counting“ dalyviai, susirinkę iš skirtingų Europos šalių, mėgins kūrybiniams procesams pritaikyti skaičiavimo metodus. Organizuojamos paskaitos yra atviros visiems susidomėjusiems.
2013-12-05
Kęstutis Šapoka talks about his creative practice, about painting, collage and conceptuality in his show “Looking At the Fire” in gallery “Akademija”. Exhibition is open from 25 November 2013 till 7 December 2013. Video by Evaldas Jansas.
2013-11-25
Exhibition open in “Akademija” gallery November 25 till December 7.
More information www.artnews.lt
2013-11-13
Call for participants is open till 20 Nov 2013
Our social life is based on conventions: conventions of how to behave in cafés, shops, lectures and family dinners. All of these conventions are creations. They are not creations of one author, but something that has been collectively brought to being through the passage of cultural phenomena. Nevertheless, they are creations in the same sense than an artwork is a creation. Such behavioral patters could be created just as artworks are, and offered to the society as potential conventions. Fictiocratic Operation no. 27C laboratory aims to acknowledge and explore such possibilities during the New Year’s holiday, a time full of repeatable, socially accepted rituals often created on a fictional basis, the same fiction which artworks can be. After all, Santa Claus or New Year’s dress parties are the same fictional formations as a film of a worldwide catastrophe or a murder which happens on a theatre stage.
2013-10-23
Curators of the project: Danutė Gambickaitė, Gintarė Matulaitytė
When interdisciplinarity comes across as a given, there seems to be little need for new definitions. Many an artist of the young generation have long since ceased using the word “interdisciplinarity” when discussing their own work. They make no attempt to revisit the concept or reinvigorate it in any other way. Still, the concept does come up in contemporary art, albeit in a somewhat odd manner. One often encounters a peculiar concept of interdisciplinarity – or a conceptual bubble – which is self-contained and can serve as a safe format.
The artists in the exhibition were invited to attend a talk with the concept and/or the curator. The topic for this talk is the role of interdisciplinarity in the context of contemporary art and their own oeuvre. Online catalogue here.
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